Sacrifice Yourself (Bowie/H. Sales/T. Sales): the B-side of 'Under The God' (EMI MT 68) also appeared as an extra track on the Tin Machine CD. Played on the 1989 and 1991/92 Tin Machine tours (and featured on the Oy Vey, Baby video).
Safe (Bowie/Gabrels): also known as '(Safe In This) Sky Life'. Recorded in 1998 for inclusion on the Rugrats soundtrack but left off at the last moment. In 2002, a re-recording was released as a "secret B-side" on BowieNet before being released as a B-side on the 'Everyone Says 'Hi'' CD single (ISO/Columbia 673134 2). A longer version (5'53" vs 4'44") appeared on the Heathen SACD, which unfortunately is playable only on dedicated players.
Saviour (Young): in 2002, Kristeen Young distributed a number of promo CDR's of her new album Breasticles. One of the tracks on it was 'Saviour', a duet with David Bowie. It was not until a year later that the album was finally released in Portugal. Meanwhile, David had re-recorded a different vocal and it was this new version that ended up on the album.
Saviour Machine (Bowie): from The Man Who Sold The World. On the rare German 'round cover' version of this album, a small piece of the intro of this song fades in as 'The Supermen', the last track of the album, fades out. These "secret" extra six seconds of 'Saviour Machine' are elsewhere unavailable. A reel-to-reel tape featuring an early take with a guide vocal (labelled as The Invader) was auctioned in 1990 at Sotheby's.
Scary Monsters (And Super Creeps) (Bowie): released in edited form (3'27" vs 5'10") as the third single (RCA BOW 8) from the album with the same name. The single version was not reissued until 2002, on the Greek, UK and US editions of Best Of Bowie; it has also appeared on The Platinum Collection and Re:Call 3. An alternative version is released on Vampires Of Human Flesh (Midnight Beat MBCD 021) and in March 2009 a 45 second excerpt of a demo was aired on WNYC Soundcheck. Featured on the 1983 (Serious Moonlight), 1987 (Glass Spider Special Edition DVD), 1995/96 and 1997/1998 tours. Performed together with Frank Black on the 50th birthday concert in New York, Madison Square Garden, 09-01-97. A live performance on Saturday Night Live (02-08-97) was released on Saturday Night Live - 25 Years Of Musical Performance Vol. 1 and another version recorded at Chicago Trax, 16-10-97 is found on ONXRT - Live From The Archives Vol. 8.
Scream Like A Baby (Bowie): from Scary Monsters; B-side of 'Fashion' (RCA BOW 7). Musically this song is based on the Astronettes' 'I Am A Laser' from 1973, which eventually appeared more than twenty years later on the Ava Cherry And The Astronettes album People From Bad Homes. An alternative version is released on Vampires Of Human Flesh (Midnight Beat MBCD 021). This song didn't make it further than the rehearsals for the 1987 Glass Spider tour. Featured as such on New York's A Go Go (DOW 001/002) and Rotterdam Rehearsals (The Spiders Mart SPI 1).
Season Folk (Bowie): from the Ernie Johnson rock opera.
The Secret Life Of Arabia (Bowie/Eno/Alomar): from "Heroes".
Sector Z (Rustic Overtones/Gutter): Bowie sings the chorus on this track from Viva Nueva. This album also features 'Man Without A Mouth', which has backing vocals from David.
See Emily Play (Barrett): from Pin Ups.
Sell Me A Coat (Bowie): two versions exist: the version which appeared on the debut album and a remix, containing vocal overdubs from Hermione Farthingale and John Hutchinson, appearing on the Love You Tuesday soundtrack LP. This remix was not released on CD until the 1997 The Deram Anthology 1966-1968; in 2010, it reappeared on the Deluxe Edition of David Bowie. The Love You Till Tuesday film features a 'video clip' from the song. See Early Works section.
Sense Of Doubt (Bowie): from "Heroes"; B-side of 'Beauty And The Beast' (RCA PB 1190). Stage contains a live performance of the song. The 1978 world tour was the only tour on which this song was performed.
Seven (Bowie/Gabrels): issued as the third single from hours... The version used in the Omikron game is very different from the album version, but quite similar to the Demo that appeared on the CD-single (Virgin 7243 8 96928 2 2). An in-house promo CDR supplied to the makers of the games featured separate instrumental and vocals takes of this early version. On CD-single a Marius de Vries Mix and Remix By Beck were released. In-house promos circulate containing unreleased variations of the Marius De Vries Mix, all of which are noticably slower (closer to the original) than the released version. A master mix dated 30-04-00 lasts 4'51" and contains several lines from 'Sorrow', which were replaced by la-la's in the released version. The 2004 US reissue of hours... contains the Demo, whereas the Limited 2CD Edition features the Demo, Marius de Vries Mix and Beck Mix #1 and #2 (the latter previously unreleased except for an in-house promo). The Marius de Vries Mix also featured on Nothing Has Changed. Played on the short promotional tour for that album and on the very few concerts in 2000. Live versions from 1999 are found on the 'Survive' CD-single (Paris, Elysée Montmartre, 14-10-99; Virgin 7243 8 96487 0 6), the 'Seven' 3CD-single (New York, Kit Kat Klub, 19-11-99; Virgin 7243 8 96929 2 1) and on VH1 Storytellers. Furthermore, a BBC live version from 2000 is featured on BBC Radio Theatre, London, June 27, 2000, the bonus disc of Bowie At The Beeb.
Seven Years In Tibet (Bowie/Gabrels): in Europe, an Edit (4'01" vs 6'21") was released as a fourth single from Earthling (BMG/RCA 74321512542). The Mandarin version is discussed under 'A Fleeting Moment'. Both the video clips of the English and the Mandarin versions are available on the Best Of Bowie DVD. Performed together with the Foo Fighters on Bowie's 50th birthday concert, and played on the consecutive Earthling tour. A live version recorded in New York, Radio City Music Hall, 15-10-97 has been released on liveandwell.com.
Sex And The Church (Bowie): from The Buddha Of Suburbia.
Shadow Man (Bowie): a famous outtake from 1971, released on the Shadow Man (Past Masters PM 8901) bootleg CD. A studio quality version of this demo, possibly remastered by EMI, surfaced around 1998. An excellent version was re-recorded for the unreleased Toy album. A slightly different mix was made available through Mike Garson's MySpace site. In 2002, the Toy version, with an additional string section, was officially released on the 'Slow Burn' CD-single (ISO/Columbia COL 672744 2). The song was done justice by being included on the 3CD edition of Nothing Has Changed.
Shake It (Bowie): from Let's Dance and B-side to the 'China Girl' single (EMI EA 157). On the 12" (EMI 12 EA 157), a Remix (called Long Version on some other issues) was released.
Shakin' All Over (Kidd): a Tin Machine live interpretation of this song (Newport, Leisure Centre, 01-07-89) appeared on the 'You Belong In Rock 'N' Roll' 12" (London/Victory LONX 305) and special CD-single in tin can (London/Victory LOCDT 305). Another live version was released on the Now (TM 721/722) 2CD.
Shapes Of Things (Samwell-Smith/McCarthy/Relf): from Pin Ups.
(She Can) Do That (Bowie): this cooperation with BT appeared exclusively on the Stealth soundtrack. In 2016, Kristeen Young posted a demo on YouTube, featuring herself on backing vocals.
She Shook Me Cold (Bowie): a track appearing on The Man Who Sold The World.
She'll Drive The Big Car (Bowie): from Reality, but only occasionally played on the 2003/04 tour. A live version nevertheless appeared on the tour edition of Reality.
She's Got Medals (Bowie): from the 1967 David Bowie album. See Early Works section.
Shilling The Rubes (Bowie): until 2009, this was known only as an working title of Young Americans. In that year, the song turned up on a reel auctioned at eBay. See the forum for more information and a sound sample.
Shining Star (Makin' My Love) (Bowie): the version on the Never Let Me Down CD is a minute longer than the LP version (5'04" vs 4'03"). The edit was released as part of the 'vinyl edition' of Never Let Me Down on iTunes, while a previously unreleased 12" Mix was part of the Never Let Me Down EP. This song was rehearsed for the Glass Spider tour (appearing on New York's A Go Go (DOW 001/002)), but never actually performed.
Shopping For Girls (Bowie/Gabrels): from Tin Machine II. An slightly different mix surfaced as part of the Tin Machine II outtakes. Issued also on several Tin Machine 1991/92 live boots. On 08-01-97, 'Shopping For Girls' was part of the BBC ChangesNowBowie program, featuring semi-accoustic versions of his songs. This performance has been released on the Divine Symmetry (DB1) CD.
Shout (Bowie): this track, built around samples from 'Fashion', was released on 12" (Nebula NEBT038) in two versionsOriginal Mix and Phazon Dub. A US promo 12" (Spirit Recordings SOLARIS007) included the Ziggy Free Instrumental. The Original Mix later was reissued on Club Bowie; an in-house promo CDR of this compilation included both the Original Mix and Phazon Dub.
Silly Boy Blue (Bowie): a demo of this song, recorded with The Buzz in 1965, was released as B-side of the bootleg single of 'That's A Promise' (THE BOZZ 220486). What sounds like an acoustic demobut probably should be labelled differently given the fact that Bowie joined The Riot Squad after recording his first albumis included in incomplete form on The Riot Squad compilation The Last Chapter: Mods & Sods. This demo appeared in a longer version (3'18" vs 2'57") and in slightly better sound quality on The Toy Soldier EP (Acid Jazz AJX329S). The official version appeared on the untitled 1967 debut album, the B-side of the 1973 German 'The Laughing Gnome' single (Decca DL 25600) and of course on a countless number of compilation albums. In 1967 and 1968 Bowie recorded 'Silly Boy Blue' for BBC radio; the 1967 Top Gear recording can be found on the Deluxe Edition of David Bowie, whereas the 1968 Top Gear performance has officially been released on Bowie At The Beeb. In 2000, it was re-recorded for the album Toy but this version has never officially been released. Together with a/o Tony Visconti, Moby and a choir of Tibetan monks, David performed the song live at the Tibet Benefit Concert (New York, Carnegie Hall, 26-02-01). This performance has been released on Jewel (Tube TUCD 033).
Silver Treetop School For Boys (Bowie): demoed in 1967 and long believed to be lost. An Essex Music acetate was offered in 2004 on eBay, but was not sold. A recording of this poor-quality acetate now circulates among collectors. An acetate with a second version (in much better quality) exists but does not circulate. The 2012 Riot Squad compilation The Last Chapter: Mods & Sods contains two versions ('Silver Tree Top Jam' and 'Silver Tree Top - School for Boy's'), probably recorded at rehearsals, but these do not feature David on lead vocals. The Toy Soldier EP (Acid Jazz AJX329S) contains a 1'53" excerpt of the 'Silver Tree Top Jam', now properly titled 'Silver Treetop School For Boys'.
Sister Midnight (Bowie/Pop/Alomar): before being released on Iggy Pop's The Idiot, 'Sister Midnight' was performed live occasionally on Bowie's 1976 Station To Station tour. Live versions can be found on the Vancouver Rehearsals (Haunting KCS 8993) LP or the Transition (GEMA BOW 007) CD, and on One Magical Moment (Magsta DB 76). Revived unexpectedly for a handful of dates of the 2003/04 Reality tour. Released on the A Reality Tour 2CD/DVD; a video from the Isle of Wight Festival (13-06-04) is available exclusively through iTunes.
Sleeping Next To You (Bowie/Bolan): rehearsals for the 1977 Marc Show were released on both Alarm (Gravedigger TVC 15 GEMA A-8149) and, more complete, on Sleeping Next To You (Funny Tunes M 5416). The eventual 30 seconds of the song, as transmitted on the "Marc" TV-show, were issued as 'It's Going To Be Me' on Ziggy 2 (Dragonfly Tune In 002). Also see 'Madman'.
Slip Away (Bowie): scheduled to appear on the unreleased Toy album as 'Uncle Floyd'. Newly recorded and re-titled to 'Slip Away', it eventually appeared on Heathen. A slightly longer version (6'14" vs 6'04") appears on the SACD of that album. Played live on the Heathen and Reality tours. A live version from the latter is found on the A Reality Tour 2CD/DVD.
Slow Burn (Bowie): released as the first single (ISO/Columbia COL 672744 2) from Heathen. An Edit (3'55" vs 4'43") was available on the Japanese single (Sony SICP-162) and several promos (i.e. Columbia/ISO PRCD 98654), before being released widely on most editions of Best Of Bowie and Nothing Has Changed. A longer version (5'04") is released exclusively on the Heathen SACD. The promo video features a very short 2'17" edit. Performed live on several TV shows and on the Heathen mini tour.
A Small Plot of Land (Bowie/Eno/Gabrels/Garson/Kizilcay): from 1. Outside and played on the following tour. A short and very different version, reportedly close to Bowie's prototype, appeared on the Basquiat soundtrack. The full length version of the latter (3'14" vs. 2'49"), which a chanted 'No, no, won't fly' introduction, has appeared only on an in-house promo cassette. In 2004, the Basquiat version was reissued on the Limited 2CD Edition of 1. Outside.
So She (Bowie): bonus track on the Deluxe edition of The Next Day and The Next Day Extra.
Social Kind Of Girl (Bowie): also known as 'Social Girl'; released only on acetate backed by 'Everything Is You'. A recording circulates among collectors.
Some Are(Bowie/Eno): released as a bonus track on the Rykodisc re-release of Low. The version Philip Glass recorded for his Low Symphony closes the All Saints compilation.
Somebody Up There Likes Me (Bowie): released on Young Americans in 1975. Musically, this song was already conceived in 1973, as 'I Am Divine' from the Ava Cherry And The Astronettes album People From Bad Homes turned out to be a prototype. An early take is included on The Gouster, part of the 2016 Who Can I Be Now? box set. This version had previously appeared on the Absolutely Rare bootleg. A 1974 live version was released on the Somebody Up There Likes Me (MIW 20 MW 20) bootleg.
Something I Would Like To Be: this song is rumoured to be recorded for the 18-12-67 Top Gear session, but according to the liner notes of Bowie At The Beeb and several other sources this is incorrect. Instead, it probably should be considered a false title for 'In The Heat Of The Morning'.
Something In The Air (Bowie/Gabrels): from hours... The song is also featured in the Omikron: The Nomad Soul game in the same version (but the Omikron mix has a bad edit at 4'15"). An in-house promo CDR supplied to the makers of the games featured separate instrumental and vocals takes of an early version of the song; these circulate among fans. An American Psycho Remix appeared on the soundtrack of the same name, whereas a 2'24" excerpt of this remix appeared on a French remix sampler of the American Psycho soundtrack. In 2004, the American Psycho Remix was included as a bonus track on the US and Limited 2CD Edition reissues of hours... Performed live for the first time in Paris, Elysée Montmartre, 14-10-99, on a short tour promoting hours... A live version from New York, Kit Kat Klub, 19-11-99 was released on the 'Seven' CD-single (Virgin 7243 8 96929 2 1).
Something Happens (Blunstone): supposedly an outtake from 1971 and circulating for decades in appalling sound quality; released on Starman Over The Rainbow (Savage Hippo SH 118). In 2008, it was exposed as 'Something Happens When You Touch Me', a song written and performed by Colin Blunstone. This particular version was recorded for the BBC in the mid-1970s and released in 1995 on the album Live In Concert At The BBC. Also see 'Oh! Darling'.
Song For Bob Dylan (Bowie): from Hunky Dory. The count-in and start of a studio takewas broadcast in the 'Exploring Life On Mars' BBC Radio 2 programme in 2017. Played on 1971 and 1972 live dates and on the 1971 In Concert BBC session. This song was released on the B-side of some mispressings of 'Rebel Rebel' (RCA BOW 514) from the 1983 Lifetimes single reissue series, erroneously replacing 'Queen Bitch'.
Sons Of The Silent Age (Bowie): from "Heroes". Performed as a duet with Peter Frampton on the Glass Spider tour and released in two live versions on the Glass Spider DVD.
Sorrow (Feldman/Goldstein/Gottehrer): released as a single (RCA 2424) from Pin Ups. Bowie incorporated this song into the "1980 Floor Show", in which he sang it live to a backing track that was longer than the album version (3'00" vs. 2'54"); this performance is released in best quality on Absolutely Rare (no label). Played live on 1974 Soul Tour (Somebody Up There Likes Me (MIW 20 MW 20) and Infected With Soul Love (Savage Hippo SH 112)) and the 1983 Serious Moonlight tour (released on the video). The latter was also released on vinyl as a B-side of the 40th Anniversary 'Sorrow' picture disc (Parlophone DBSOZ 4030).
Sorry (H. Sales): sung by Hunt Sales, it appeared on Tin Machine II. Two longer takes surfaced in 2008. A completely different version had previously seen the light of day on a number of 1989 Tin Machine live bootlegs.
Soul Love (Bowie): from Ziggy Stardust. A 1978 live version of this song was released as a single from Stage in Japan only (RCA SS-3166). Also played on a few gigs of the 1973 US tour (Aladdin Sane Watch That Man (MIW 7 MW 7)) and on both of the Brussels try-outs in 1983 (Serious Moonlight Tour '83 (ETS 2536/7/8)).
Sound And Vision (Bowie): the first single from Low (RCA PB 0905). Released in the US on promo 12" (RCA JT-10965) in the RCA Segue Series. A David Richards 1991 remix was released on the Rykodisc version of Low. 808 State too remixed the song and released a 808 Giftmix and 808 'Lectric Blue Remix Instrumental on the David Bowie vs 808 State 12"/CD-single (Tommy Boy TB/TBCD 510/TBCD 510). A 1'50" reworking, originally featured in a Sony’s Xperia Z advertisement, was released as a digital download titled 'Sound And Vision 2013'; its only release in lossless form is on a promo CDR-single. On the 1978 World Tour, 'Sound And Vision' was played just once, in London, Earl's Court, 01-07-78 (available on RarestOneBowie); also performed on the 1990 Sound + Vision and 2002 Heathen tours, and occasionally on the 2003/04 Reality tour.
South Horizon (Bowie): a jazzy instrumental from the Buddha Of Suburbia.
Space Oddity (Bowie): four versions exist in a multitude of variationsthe original version Love You Till Tuesday version, an acoustic demo for David Bowie/Space Oddity, the Space Oddity album version and a 1979 re-recording; the Italian version is discussed separately as 'Ragazzo Solo, Ragazza Sola'. Of the original version, recorded with John Hutchinson, two versions are available. An edited version (3'45") appeared on the Love You Till Tuesday soundtrack, The Marquee 30 Legendary Years (Polydor 840010-2) and ultimately on The Deram Anthology, while the full-length version (4'31") was included on the Love You Till Tuesday CD and compilations such as London Boy. Acoustic demos, also recorded with John Hutchinson, have been released on the 40th Anniversary Edition of Space Oddity and the Sound + Vision 3CD (and previously, with a longer spoken intro, on The Beckenham Oddity (Leisure Records 005)); a third short take, originally broadcast on BBC radio, is released in bad quality on Naked And Wired (GEMA BOW 005). The 1969 Space Oddity album version (5'14"), also released as a single (Philips BF 1801), is probably best known. In most countries the single was in mono, but the Dutch and Italian singles (both Philips 704 201 BW) are stereo. Edits of the album version are found on the UK Philips BF 1801 7" (4'33"; in mono), the US Mercury 72949 7" (3'23" mono version, also available on the 1969 Mercury DJ-133 promo and 1972 US RCA EP-45-103 promo 7" EP), the 1969 US Mercury DJ-156 promo 7" (stereo version, with a different ending than the mono version), the 1973 US RCA 74-0876 promo 7" (3'53") and, most recently, on the The Singles 1969 To 1993 compilation (3'31"). In 1979, a newly recorded semi-acoustic version of the song (performed on Kenny Everett's New Year's Eve Show on 31-12-79) was released as B-side of the 'Alabama Song' single (RCA BOW 5), which re-appeared on the Rykodisc Scary Monsters CD. The mix on the Rykodisc reissue is slightly different, lacking the panning of the acoustic guitar in the intro and adding 3.5 seconds of silence after the line 'And may God's love be with you'. The LP version, segued into the single version of 'Ashes To Ashes', was released as a US promo 12" (The Continuing Story Of Major Tom, RCA DJL1-3795) in 1980. In July 2009, 40 years after the original single release, a digital Space Oddity EP neatly wrapped three edits previously unavailable in digital form and added the 1979 re-recording. As a bonus, it included eight stems/multi-tracks which allowed the user to remix the song. The total running time of each of the stems was 5'31", effectively adding a previously unheard 15 seconds to the song. Finally, Nothing Has Changed features an inauthentic stereo version of the UK single edit. An early example of a video clip of the original version is featured on the Love You Till Tuesday film. The 5'03" video clip of the Space Oddity version was shot in 1972 and has been released on The Video Collection and the Best Of Bowie DVD. Below an overview of the four versions and their variations:
- Love You Till Tuesday version - 4'31" (a/o Love You Till Tuesday CD, London Boy)
- Love You Till Tuesday version - 3'45" edit (a/o Love You Till Tuesday LP, The Deram Anthology)
- Space Oddity demo #1 (Space Oddity 40th Anniversary Edition)
- Space Oddity demo #2 (Sound + Vision; with longer spoken introduction on The Beckenham Oddity)
- Space Oddity demo - alternate take (Naked And Wired)
- Space Oddity version - 5'14" album version (Space Oddity)
- Space Oddity version - 3'23" edit (mono version: 1969 US Mercury DJ-133 promo 7", 1969 US Mercury 72949 7", 1972 US RCA EP-45-103 promo 7", Space Oddity EP)
- Space Oddity version - 3'23" edit (different stereo version: 1969 US Mercury DJ-156 promo 7")
- Space Oddity version - 3'31" edit (The Singles 1969 To 1993)
- Space Oddity version - 3'53" edit (1973 US RCA 74-0876 promo 7", Space Oddity EP)
- Space Oddity version - 4'33" edit (1969 Philips BF 1801 7", Space Oddity EP, Re:Call 1)
- Italian version - 'Ragazzo Solo, Ragazza Sola' (1969 Italian Philips 704208 BW 7", Space Oddity 40th Anniversary Edition)
- 1979 remake (a/o 1980 UK RCA BOW 5 7", Rykodisc Scary Monsters reissue, Space Oddity EP, Re:Call 3)
Unfortunately, there are no live recordings available prior to the 1972 Ziggy Stardust tour, with the exception of a mimed performance on Hits A Go Go (02-11-69, on Remember60's Vol. 4) and a live performance at the Ivor Novello Awards (10-05-70, on 40 Jaar Top 40 1969-1970). Recorded for BBC radio on the 1972 Johnnie Walker Lunchtime Show (released on Bowie At The Beeb). Live versions from 1972, 1973, 1974, 1983 and 1990 are found on bootlegs and the official Live Santa Monica '72, Ziggy Stardust - The Motion Picture and David Live (2005 edition only) albums and the Serious Moonlight DVD. Everybody assumed 'Space Oddity' was played live for the very last time at Bowie's 50th birthday concert (New York, Madison Square Garden, 09-01-97; a/o 50th Birthday Bash (BPCD 973282-1/2)), but surprisingly it was revived recently at the Tibet House Freedom Benefit (New York, Carnegie Hall, 22-02-02) and at Horsens, Friluftsscenen Lunden, 05-07-02.
Speed Of Life (Bowie): from Low; B-side of 'Be My Wife' (RCA PB 1017). It has appeared on Stage and other 1978 live albums, but was not played live again until the 2002 Heathen mini tour.
Star (Bowie): released on Ziggy Stardust. A reel-to-reel studio tape demo recording, given to singer Les Payne for him to cover, was auctioned at Christies in September 2000. A live version from Stage was released on a white vinyl promo 12" in the US (RCA DJL1-3255). Opener of the European leg of the Serious Moonlight tour.
Starman (Bowie): released as the first single from The Rise And Fall Of Ziggy Stardust And The Spiders From Mars. In the US and Canada (RCA 74-0719) and Portugal (RCA TP-656), a slightly edited version (4'05" vs 4'16") was used; only the Canadian single is in stereo. Two different mixes of the album version are available, with the instrumental A to G section just before the chorus mixed in either very prominently ("loud mix") or rather subdued (other editions, including the original US). The loud mix appeared on the UK edition and only a few other pressings of Ziggy Stardust. Both mixes were released as singles, e.g. the UK album version in the UK (RCA 2199) and the Netherlands (RCA 74-16180) and the US album version on later pressings of the Japanese single (RCA SS-2197). The German single (also RCA 74-16180) is unique in featuring the US album version fading out earlier at 3'58". The loud mix was used for the K-tel The Best Of Bowie LP and on the 40th Anniversary picture disc (EMI DBSTAR 40), but up to 2014 all reissues of Ziggy Stardust and all CD compilations featuring 'Starman' used the subdued version. This changed when the 'original single mix' finally appeared on Nothing Has Changed and Re:Call 1. An instrumental, probably used as the backing track for the 1972 Top of the Pops performance, has been released on Naked And Wired (GEMA BOW 005) and Starman Over The Rainbow (Savage Hippo SH 118). An in-house promo CDR of Club Bowie featured a Metrophonic Remix of 'Starman', but this mix was dropped from the official release. Recorded for BBC radio on the 1972 Johnnie Walker Lunchtime Show (released on Bowie At The Beeb). The song was performed throughout the 1972 UK tour (Bowie With Reed (DB72-5-4/DB72-7-8)), on the 1973 Japanese tour (A Cat From London (YOU J-003)), sporadically on the Sound + Vision tour (ie. Live In Japan (Beech Marten CD 011)), during the gigs in 2000 and 2002 (a/o Cold Station (BOW1007/2002)) and again only occasionally on the Reality tour.
The Stars (Are Out Tonight) (Bowie): the second single from the The Next Day. Initially available as a digital download only, but released on a white vinyl 7" (ISO/Columbia 8 88837 04917 7) on Record Store Day 2013. The promo video was released on The Next Day Extra.
Stateside (Bowie/H. Sales): a number from Tin Machine II, sung by Hunt Sales. Four alternate takes surfaced in 2008. A BBC studio version was released on the of 'Baby Universal' CD-single (London/Victory LOCDT 305) and later compiled on the Japanese Radio Session. Live versions from New York, Academy Theatre, 29-11-91 and Hamburg, Docks, 24-10-91 are found on the Oy Vey, Baby CD and video respectively.
Station To Station (Bowie): opening piece of the album with the same name. An extremely edited version (from 10'13" to 3'37") appeared on a very rare French factory sample (RCA 42549). This edit, which eliminates the entire first part of the song, was reissued on the Singles Versions EP included with the Deluxe Edition of Station To Station and on on Re:Call 2. Opener of the 1976 tour (Live Nassau Coliseum '76) and also played in 1978 (Stage), 1983 (Serious Moonlight), 1990, 2000 and 2004.
Stay (Bowie): released almost halved (3'21" vs 6'07") as the third single from Station To Station in the US (RCA PB 10736) and several other countries outside the UK. The edit has been reissued on the Christiane F soundtrack and on the Singles Versions EP included with the Deluxe Edition of Station To Station. The Rykodisc re-release contained a live version, recorded in Uniondale, Nassau Coliseum, 23-03-76. The same performance was later included on Live Nassau Coliseum '76. Other excellent live versions appear on the 2005 edition of Stage and on BBC Radio Theatre, London, June 27, 2000. Besides in 1976, 1978 and 2000, 'Stay' was also played live in 1983, 1990, 1997, 1999 and 2002.
Strangers When We Meet (Bowie): first issued in 1993 on The Buddha Of Suburbia. An alternate, slightly longer (5'10" vs 4'58") version appeared exclusively on a Dutch promo cassette. In 1995, a newly recorded version was released as the second single from the 1. Outside album, complete with accompanying 4'11" video. A 7" single was released on green vinyl (Virgin/RCA 74321 329407). There are two variations of the promo video, a "violent version" and "clean version"; the first was released on the Best Of Bowie DVD. The CD-single (RCA/BMG 74321 32940 2) contains an Edit (4'19" vs 5'07") of the 1. Outside version, while a US Virgin DPRO-11062 promo CD-single contains a Buddha Of Suburbia Edit (4'10" vs 4'58"). The Outside Edit reappeared on the 3CD edition of Nothing Has Changed. Played live on the Outside and Earthling tours.
Subterraneans (Bowie): from Low. Played live (together with Nine Inch Nails) on the US leg of the Outside tour and on several 2002 concerts.
Sue (Or In A Season Of Crime) (Bowie/Schneider/Bateman/Bhamra): released as a 10" and digital single from Nothing Has Changed. The single also features a Radio Edit, which was included only on the single disc Japan/Argentina editions of Nothing Has Changed. A re-recording appeared on Blackstar.
Suffragette City (Bowie): from The Rise And Fall Of Ziggy Stardust And The Spiders From Mars. Released as a single from ChangesOneBowie in 1976 (RCA 2726). It had previously appeared on 7" as B-side of the 'Starman' single (RCA 2199) and in a David Live version on the flip of 'Young Americans' (RCA 2523). Besides played in 1972, 1973 and 1974, it was also played for the BBC in 1972 (see BBC Performances and Bowie At The Beeb) and featured on the 1976, 1978, 1990 and 2003/04 tours. Officially released live versions are found on Live Santa Monica '72, Ziggy Stardust - The Motion Picture, Live Nassau Coliseum '76 and the 2017 Edition of Stage.
Sunday (Bowie): from Heathen. A Moby Remix is available on the bonus disc of the 2CD version; on the Heathen Sampler, this remix has been edited from 5'10" to 3'09". A Tony Visconti Mix appeared on the EC 'Everyone Says 'Hi'' (ISO/Columbia 5099767307625) and Canadian 'I've Been Waiting For You' (Columbia 38K 003369) CD-singles. Played live in on the Heathen and Reality tours. A live version is included on the A Reality Tour 2CD/DVD.
The Supermen (Bowie): originally released on The Man Who Sold The World; a demo is available on The '69 Tapes (Quality Productions QCP 69006). An acoustic version appeared on the 1972 Revelations - A Musical Anthology For Glastonbury Fayre 3LP (Revelation REV 1-3). This version was re-released in a 'rougher' mix (also with a different stereo spectrum) on the Rykodisc version of Hunky Dory and the 30th Anniversary Edition of Ziggy Stardust. Live versions are released on the Sound + Vision Plus CD-Video single (reissued on the 30th Anniversary Edition of Aladdin Sane) and Live Santa Monica '72 CD. Played live for the BBC on the 1970 Sound Of The Seventies, and in 1971 on the In Concert and Sound Of The Seventies sessions; see BBC Sessions for more info. After being performed at 1970/71 live dates (except for the BBC recordings only Aylesbury, Friars, 25-09-71 is available), 'The Supermen' was a certainty on the 1972 Ziggy Stardust shows. It was dropped after the US 1973 tour (Aladdin Sane Watch That Man (MIW 7 MW 7)), but made a re-appearance 24 years later on the US leg of the Earthling tour. More recently, it was played live on several 2004 US dates of the Reality tour.
Survive (Bowie/Gabrels): this track first appeared on the Une Rentrée 99 sampler given away with the French music magazine "Les Inrockuptibles". The version used in the Omikron: The Nomad Soul game is identical to the hours... version. An in-house promo CDR supplied to the makers of the games featured separate instrumental and vocals takes. 'Survive' was released as the second UK single from hours... in two partsCD1 (Virgin 7243 8 96486 0 7) features a Marius de Vries Mix and a video clip, while CD2 (Virgin 7243 8 96487 0 6) has a live performance of the song (Paris, Elysée Montmartre, 14-10-99), both in audio and video. The Marius de Vries Mix later reappeared on the 2004 US and Limited 2CD Edition re-releases of hours... and on Nothing Has Changed. While the promo video on the 'Survive' CD-single is accompanied by a 3'30" edit of the album version, the promo on the Best Of Bowie DVD uses an 3'30" edit of the Marius de Vries Mix. Best Of Bowie features a video of the live version as an easter egg. Also played on 2000 and 2002 concerts; official live versions are found on the VH1 Storytellers DVD and BBC Radio Theatre, London, June 27, 2000.
Sweet Head (Bowie): released as an extra track on the Rykodisc Ziggy Stardust. The version (Take 4) on the 30th Anniversary 2CD Edition of this album contains an additional half of minute of studio banter.
Sweet Jane (Reed): performed at the Save The Whale concert, in London, Royal Festival Hall, 08-07-72, with Lou Reed as guest singer. This performance has been released as an extra track on Cocaine Adds Life (Swastika 1-8-15-4-DB) and more recently on the Japanese Bowie With Reed (DB72-5-4/DB72-7-8) 2CD.
Sweet Thing (Bowie): from Diamond Dogs. Also featured on David Live and other 1974 live albums. The Collection features a version that fades out before the 'Candidate' section starts.
Sweet Thing (Reprise) (Bowie): part three of the Sweet Thing/Candidate/Sweet Thing (reprise) sequence on Diamond Dogs. Unaccredited on David Live until the 2005 reissue.