In August 1971, David Bowie's manager Tony Defries had 500 promo LPs pressed to secure him and other Mainman artist Dana Gillespie a record deal. This promo album, featuring seven songs by David on side A and five by Dana Gillespie on the flip, is often being referred to as the BOWPROMO white-label album. The LP came in generic white outer and inner sleeves. Some copies had printed GEM labels, whereas others, like the one illustrated on this page, had plain white labels. For these copies, the matrix number (BOWPROMO 1A-1/1B-1) is the only way to safely identify it. Most of the Bowie songs on this promo LP would appear four months later on Hunky Dory. However, as the recording and mixing of that album had not yet been finished, it transpired that the BOWPROMO LP contained two songs that would not end up on any official album for the next 20 years in any version—Bowie's 'Bombers' and Gillespie's 'Lavender Hill'. Besides, it features marginally to very different early mixes/versions.

Matrix number of A-side Label of B-side


Oh! You Pretty Things: side A opens with a version of 'Oh! You Pretty Things' that sounds very close to the Hunky Dory version, but with a few subtle differences. Bowie's vocal is slightly more upfront on the Hunky Dory version, while the piano on the BOWPROMO version sounds much more 'spatious'. The only genuine difference that is detectable though is the amount of reverb used on the chorus. The BOWPROMO uses this on both the main and backing vocals, whereas the album version uses much less, if any, for both.

Eight Line Poem: on Hunky Dory, the guitar is more central during the intro, drifts to the left and then back to the centre for the end. On the BOWPROMO version it starts on the right then switches between left and right during the second half, again ending in the centre. On the BOWPROMO, the piano completely natural sounding, whereas on the Hunky Dory it has a flanging effect applied. However, this version is best known for a different vocal take. Bowie sings 'The tactful cactus by your window' vs 'Tactful..' and 'They've opened shops...' vs 'Opened...'. The echo used on 'collision' in the line 'Mobile spins to its collision' is also missing on the BOWPROMO.

 Kooks: a different stereo mix that fades two seconds later than the official version. E.g. in the intro, both acoustic guitars are centered in the Hunky Dory version whereas they are clearly present in the left and right channels in the BOWPROMO version. Also note the acoustic guitar throughout the entire song on the BOWPROMO, which has been completely faded in the verses on Hunky Dory. [The full version is offered here instead of a clip, because I uploaded this to celebrate the birth of Tom.]

It Ain't Easy: this song was possibly already recorded before 'Changes' and 'Life On Mars', as the latter two are not included on the BOWPROMO album. Of course they would have been very likely candidates to secure Bowie a record deal. 'It Ain't Easy' ended up in 1972 on Ziggy Stardust, in an identical version.

 Queen Bitch: this tribute to The Velvet Underground appeared in slightly different form on Hunky Dory. Compared to the latter, the BOWPROMO lacks any reverb on the vocals but adds some reverb on Mick Ronson's riff. The BOWPROMO version can identified easiest by the very subdued 'Hmmm' at the very end, which apparently later was overdubbed on the Hunky Dory version.

 Quicksand: the intro of the Hunky Dory version is in mono and only opens up to stereo at 0'51" ('I'm frightened by the total goal...'); the intro on the BOWPROMO is in full stereo from the very start. Furthermore, some additional strings have been added to the Hunky Dory version at 3'20" ('If I don't explain what you ought to know...').

 Bombers-Andy Warhol intro: the version of 'Bombers' that in 1990 ended up as a bonus track on the Rykodisc edition of Hunky Dory is a rather tinny mix, lacking in bass. Besides, at 0'23" ("Seemed a good idea to drop a bomb on the wasteland here") and 1'12" ("So the Pentagon sent a cable and the Queen a telegram") into the Ryko mix, there are extra drum beats that do not sound convincingly intentional. As can be heard in the audio excerpt, these 'jumps' are absent on the BOWPROMO album. Also interesting is that 'Bombers' develops into an alternate version of the intro to 'Andy Warhol', which runs slightly longer, as it includes a strum on the acoustic guitar and a few more laughs of Bowie at the very end. 'Bombers' and part of the intro to 'Andy Warhol' have appeared on the ChangesThreeDavidRobertJones (Grace AZL1-1984) bootleg LP. The 'Andy Warhol' intro is also found on MissingLinksOneZiggy (Icon One), but the sound quality of both recordings is rather poor.

Mother Don't Be Frightened:The first of five Dana Gillespie tracks on side B. This song, which was produced and arranged by David Bowie and Mick Ronson, appeared in 1974 on her Weren't Born A Man album in a more complex mix, with added instrumentation.

Andy Warhol: originally written by David for Dana Gillespie, musically backed by The Spiders and produced by Bowie/Ronson. This is a quite different, shorter mix (2'45" vs 3'02"), compared to what appeared on Weren't Born A Man. The intro is faded in and the mix is more direct and less echoey than on that album. The outro on the BOWPROMO also is much shorter and less guitar-heavy. This mix has recently been released on Oh! You Pretty Things, though on that CD it is (incorrectly) mastered at a faster speed, resulting in a higher pitch (2'45" vs 2'37").

Never Knew: a different recording of this was released on Dana Gillespie's Ain't Gonna Play No Second Fiddle. A second recording was released on the Andy Warhol CD. The version contained here is different again, the first of the three available recordings.

All Cut Up On You: this is a much shorter recording (3'23" vs 4'12") than on Weren't Born A Man.

Lavender Hill: this ballad was not released until the 1994 Andy Warhol CD. The version on the latter is a different recording from 1972.